Ya-Ping Chen

​陳雅萍

Welcome!
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Full-time Associate Professor

Graduate Institute of Dance, School of Dance

Taipei National University of the Arts (TNUA)

1 Hsueh-Yuan Road, Beitou, Taipei 112, Taiwan

Email: ypchen560420@gmail.com

Tel: (W) +886-2 2893-8779

 

CHEN Ya-Ping, associate professor at the Graduate Institute of Dance, Taipei National University of the Arts, Taiwan, is the author of the Chinese monograph Enquiry into Subjectivity: Modernity, History, Taiwan Contemporary Dance (2011). Her research articles have been published in English, Chinese and Japanese in various academic journals and dance studies related anthologies. Her dance writings and reviews can also be seen in PAR (the official publication of the National Performing Arts Center) and on the “Performing Arts Review Platform”(the online publication sponsored by the National Culture and Arts Foundation). She is currently the president of the Taiwan Dance Research Society (TDRS) and was the chairperson of the Graduate Institute of Dance at TNUA from 2015 to 2018. She holds a PhD in Performance Studies from the New York University.

陳雅萍,舞蹈學者、舞評人,國立臺北藝術大學舞蹈研究所副教授,曾任該所所長(2015-2018)。現為台灣舞蹈研究學會理事長。研究領域包含:台灣現、當代舞蹈與身體史,現代性理論,身體文化研究,舞蹈分析與評論;近年亦將研究觸角擴及香港當代編舞家黎海寧的作品。著有中文專書《主體的叩問:現代性‧歷史‧台灣當代舞蹈》(2011)。舞蹈及表演研究相關論文曾刊登於中、英、日文重要學術期刊,並收錄於多本中、英文專書。其他舞蹈書寫及評論文章亦見於《PAR表演藝術》、「表演藝術評論台」。國立台灣大學外文系學士、美國紐約大學表演研究所 (Department of Performance Studies, New York University) 碩士暨博士。

PUBLICATIONS
 

Monograph

2011

《主體的叩問:現代性‧歷史‧台灣當代舞蹈》(Enquiry into Subjectivity: Modernity, History, Taiwan Contemporary Dance),台北Taipei:國立臺北藝術大學藝術出版大系TNUA ARTS Publication Series。(ISBN: 978-986-02-9779-9)

Journal Articles

2018

“Shen-ti Wen-hua: Discourses on the Body in Avant-Garde Taiwanese Performance, 1980s-1990s.”Theatre Research International, 43(3): 273-291. (MOST 105-2410-H-119-001)

2016

“Putting Minzu into Perspective: Dance and its Relation to the Concept of Nation.” Choreographic Practices. 7(2): 219-228.

2015

〈從身體共振到共感移情—神經科學視野下的舞蹈身體〉。《美育》,第208期,頁16-23。(NSC 101-2410-H-119-004)

2011

〈解放與規訓——殖民現代性、認同政治、台灣早期現代舞中的女性身體〉,《戲劇學刊》(THCI),第14期,頁7-40。(NSC 95-2411-H-119-001 & NSC-97-2410-H-119-005)

2010

〈解放と統制——初期台湾モダンダンスにおける植民地的近代と女性の舞踊身体〉(鈴木雅惠譯),《西洋比較演劇研究》(日本演劇學會),第9期,頁67-79。(NSC 95-2411-H-119-001 & NSC-97-2410-H-119-005)

2008

〈身體.歷史.性別.權力:舞蹈劇場與台灣社會,1980s-1990s〉,《民俗曲藝》(TSSCI, THCI),第161期「身體、藝術與社會專輯」,頁39-81。(NSC 97-2410-H-119-005)。

Anthology Chapters:

English

2020

Exorcism and Reclamation: Jiao and the Corporeal History of the Taiwanese,” 

Corporeal Politics: Dancing East Asia. Eds. Katherine Mezur and Emily Wilcox. Ann Arbor: University of Michigan Press. (Forthcoming) (‘MOST 104-2410-H-119-009) 

2018

“In Search of Asian Modernity: Cloud Gate Dance Theatre’s Body Aesthetics in the Era of 

Globalisation” (revised version). Contemporary Choreography: A Critical Reader (2nd Edition). Eds. Jo Butterworth and Liesbeth Wildschut. New York & London: Routledge.

2012

“Identity, Hybridity, Diversity: A Brief View of Dance in Taiwan” (revised version) . Identity and Hybridity: Celebrating Dance in Taiwan. Eds. Yunyu Wang & Stephanie Burridge. New York & London: Routledge.

2012

“Colonial Modernity and Female Dancing Bodies in Early Taiwanese Modern Dance,” Identity and Hybridity: Celebrating Dance in Taiwan. Eds. Yunyu Wang & Stephanie Burridge. New York & London: Routledge.

2009

“In Search of Asian Modernity: Cloud Gate Dance Theatre’s Body Aesthetics in the Era of 

Globalisation,” Contemporary Choreography: A Critical Reader. Eds. Jo Butterworth and Liesbeth Wildschut. New York & London: Routledge.

2009

“In Pursuit of Innovation and Excellence: Theatre Dance in Taiwan,” in Embracing Magnificence: The Beauty of Taiwan Performing Arts. Taipei: the CKS Cultural Center. pp. 206-211. (ISBN: 978-986-01-7929-3)

2008

“Dancing Chinese Nationalism and Anti-Communism: Minzu Wudao Movement in 1950s Taiwan,” in Dance, Human Rights and Social Justice: Dignity in Motion. Eds. Naomi Jackson & Toni Shapiro-Phim. Plymouth, UK: Scarecrow Press. (ISBN-10: 0810861496)

2006

“Identity, Hybridity, Diversity: A Brief View of Dance in Taiwan,” in Shifting Sands: Dance in Asia and the Pacific. Ed. Stephanie Burridge. World Dance Alliance, Asia-Pacific. (ISBN: 187525515X)

Chinese

2019

〈香港作為方法—黎海寧舞作中的敘事、身體與主體探求〉,《香港當代舞蹈歷史、美學及身份探求》,文潔華主編,香港:國際演藝評論家協會(香港分會)。(NSC 102-2410-H-119-002)

2018

〈雲門45—身體的長河,以舞蹈映現文化〉,《雲門舞集45週年紀念特刊》,臺北:雲門舞集。

2011

〈身體的歷史—表演性舞蹈〉,《中華民國發展史文學與藝術》,陳芳明、林惺嶽主編,台北:國立政治大學、聯經出版。頁307-340。(ISBN:9789860297010) (NSC 97-2410-H-119-005)

2007

〈思索雲門—全球化情境下的亞洲當代身體美學〉,《飆舞—林懷民與雲門傳》,台北:天下遠見出版。頁19-27。(ISBN:9789862161920 ) (NSC 93-2411-H-119-005)

2007

〈「身體」成為議題:台灣的舞蹈劇場風潮1980s-1990s〉,《碧娜.鮑許—為世界起舞》,台北:國立中正文化中心。頁180-188。(ISBN:9789860104561)

2003

〈雲門身體三十年〉,《野馬 耕牛 春蠶—雲門三十》,臺北:雲門文化基金會。

2003

〈尋找中國當代舞蹈劇場—《白蛇傳》〉,《雲門 傳奇》(DVD導聆書),臺北:雲門文化基金會。

2003

〈舞台灣的歷史,跳先民的故事—《薪傳》〉,《雲門 傳奇》(DVD導聆書),臺北:雲門文化基金會。

2003

〈頌輓青春及一個逝去的年代—《我的鄉愁,我的歌》〉,《雲門 傳奇》(DVD導聆書),臺北:雲門文化基金會。

2003

〈跨文化的身體旅行—《九歌》〉,《雲門 傳奇》(DVD導聆書),臺北:雲門文化基金會。

2003

〈歷史的容顏—「家族合唱」〉,《雲門 傳奇》(DVD導聆書),臺北:雲門文化基金會。

Research Grants/Projects
 

Research Grants from

the Ministry of Science and Technology (MOST):

2019

物我、天人、身體主體:儀式舞蹈劇場的存有哲學解析 (MOST 108-2410-H-119-002)


Corporeal Being-in-the-World: An Existential Philosophical Approach to Ritualistic Dance Theatre

2018

空間、身體與記憶:舞蹈研究的跨學科與跨文化理論探究 (MOST 107-2410-H-119-006)

Space, Body, Memory: Dance Studies Through Cross disciplinary and Cross cultural Theories

2016

肉身共振:以舞蹈為核心的台灣當代身體文化研究 (II)  (MOST 105-2410-H-119-001)


Corpreal Resonance—A Study of the Body Culture in Contemporary Taiwan with Dance as the Core Concern (II)

2015

肉身共振:以舞蹈為核心的台灣當代身體文化研究 (I)  (MOST 104-2410-H-119-009)

Corpreal Resonance—A Study of the Body Culture in Contemporary Taiwan with Dance as the Core Concern (I)

2013

她的故事:黎海寧的女性創作三部曲之敘事、身體與主體 (NSC 102-2410-H-119–002)

HerStory: Narrative, the Body and Subjectivity in Helen Lai’s Trilogy of Feminine Creativity

2012

時間與記憶的儀式:無垢舞蹈劇場「天、地、人」三部曲之研究 (NSC 101-2410-H-119-004)

Rituals of Time and Memory: A Study of Legend Lin Dance Theatre’s “Heaven, Earth and Humans Trilogy”

2011

認同與焦慮:黎海寧作品中的香港身分與一九九七 (NSC 100-2410-H-119-005)

Identity and Anxiety: The Hong Kong Subject and 1997 in Helen Lai's Dances

2009

前現代?反現代?——日本舞踏與台灣東方身體觀舞蹈 (NSC 98-2410-H-119 -004)

Pre-Modern? Anti-Modern? : Japanese Butoh and Taiwanese Eastern Body Aesthetic Dance

2008

現代性與台灣當代舞蹈史:從殖民情境到全球化時代 (NSC-97-2410-H-119-005)

Modernity and the History of Taiwan's Contemporary Dance: From Colonization to Globalization

2006

千面女郎:台灣前輩女性舞蹈家的角色扮演、性別文化、身體政治1937-1960s (NSC-95-2411-H-119-001)

Lady with a Hundred of Faces: Role Play, Gender Culture and Body Politics in the Performance of First-Generation Female Choreographers in Taiwan (1937-1960s)

2005

東方身體的陰性書寫:東方身體觀舞蹈中的女性意象/兼論西方的凝視 (NSC 94-2411-H-119 -002)

Écriture Féminine of the Oriental Body: Female Images in Eastern Aesthetic Dances / Also on the Gaze of the West

2004

東方本質與舞蹈全球化:太極導引在台灣當代舞蹈之運用的研究 (NSC 93-2411-H-119 -005)

Oriental Essence and Dance Globalization: A Study on the Employment of Taichi Taoyin in Taiwan's Contemporary Dance

Other Academic Research Projects:

2011-present

“ArtsCross Project: Practice and Research,” with partners from Middlesex University, Exeter University, Queen Mary University of London, and Beijing Dance Academy.

Leadership/Professional Service/Administration
 

2019-present

President, Taiwan Dance Research Society

2017-2018

Dean of Research and Development

2015-2018

Chairperson, Graduate Institute of Dance, School of Dance

2014-2017

Executive Director, Global Networking Talent 3.0 Plan (School of Dance Section), Ministry of Education

2003-2018

Executive Board of Director, Taiwan Dance Research Society

2005-2009

Executive Director, Teaching Excellence Project (School of Dance Section), Ministry of Education

2004-2005

Co-Executive Director, Asia-Pacific Arts Festival and Forum, Taipei National University of the Arts and Traditional Arts Center (Yilan, Taiwan)

 
LET’S CONNECT

Find me at Academia.edu

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